“White is the new Black”. Gallery GAD, Oslo, Norway.
Much has been said and written about the economic circulation of capital between the cultural and monetary sectors, but it is a rare thing for that question to be addressed in painting itself.
The exhibition forces us to reflect on money and its relationship to art, as something that has both real value and exchange value, on transactions in relation to cultural capital, but also on money as a fragile and unstable phenomenon. The illusory nature of monetary value is underlined and linked to reflections on art in the works.